The Diapason PressCorpus Microtonale |
Relatively little vocal music has been composed using microtonal pitches. Rapoport’s choir songs are unique in that every piece is presented in two versions: the true version in 31-tone tuning, and an arrangement in 12-tone tuning, which can be used for study, to become familiar with the pieces before beginning to explore the intricacies of the 31-tone tuning. The musical part of this publication is preceded by a comprehensive introductory essay by the composer, explaining the properties of the 31-tone scale and the way it is used in the compositions.
Offprints of separate songs are available at reduced prices for use by choirs. Please contact the Diapason Press.
About 31-tone equal temperament and six songs written in it: An essay with Songs of fruits and vegetables by Paul Rapoport | ||
1 | Introduction | 7 |
2 | 31-tone equal temperament: the rationale | 7 |
3 | 31-tone equal temperament: the nomenclature | 12 |
4 | The songs: introduction | 18 |
5 | The individual songs | 20 |
(1) Goodbye (Apple) | 20 | |
(2) Onion | 21 | |
(3) Bananas | 22 | |
(4) Tomato | 24 | |
(5) Artichoke | 25 | |
(6) Dessert (Peach) | 26 | |
Notes on performance | 29 | |
Songs of fruits and vegetables | ||
Music by Paul Rapoport | ||
Poems by Erica Jong | ||
1 | Goodbye (Apple) | |
(1a) 31-tone version | 36 | |
(1b) 12-tone version | 38 | |
2 | Onion | |
(2a) 31-tone version | 42 | |
(2b) 12-tone version | 49 | |
3 | Bananas | |
(3a) 31-tone version | 58 | |
(3b) 12-tone version | 62 | |
4 | Tomato | |
(4a) 31-tone version | 68 | |
(4b) 12-tone version | 73 | |
5–6 | Artichoke and Dessert (Peach) | |
(5a) and (6a) 31-tone version | 80 | |
(5b) and (6b) 12-tone version | 87 |