The Diapason PressTuning and Temperament Library |
One of the most intriguing theoretical texts from the 19th century, with a formal treatment of tuning and temperament systems. Bosanquet’s keyboard design has turned out to be of paramount importance for the development of 20th-century microtonal keyboards.
Includes a comprehensive new introduction by Rudolf Rasch, as well as a bibliography and index. Reprinted from the original (1876) edition as published by Macmillan and Co. in London
Preface | 7 | |
Introduction | ||
1. | Biography | 11 |
2. | Bosanquet’s scientific writings | 17 |
3. | The English tuning and temperament background | 24 |
4. | The Elementary treatise on musical intervals and temperament | 27 |
5. | Prior versions | 33 |
6. | The general theory of the division of the octave | 50 |
7. | The generalized keyboard | 52 |
8. | Later writings on tunings and temperament | 58 |
9. | Bosanquet’s significance | 64 |
Bibliography | 68 | |
Index | 73 | |
Note about Bosanquet on Tenerife | 79 | |
R. H. M. BOSANQUET | ||
AN ELEMENTARY TREATISE ON MUSICAL INTERVALS AND TEMPERAMENT | ||
1876 | ||
Preface | vii | |
Chapter I. | Harmonious chords | 1 |
Chapter II. | Equal temperament | 4 |
Chapter III. | Perfect fifths. Pythagorean system | 7 |
Note on the calculation of beats | 14 | |
Chapter IV. | The generalised keyboard | 19 |
Chapter V. | Mean-tone system. Old unequal temperament | 24 |
Chapter VI. | Applications of the mean-tone system | 33 |
Chapter VII. | Harmonic seventh | 41 |
Chapter VIII. | Applications of the system of perfect fifths and allied systems | 43 |
Chapter IX. | Enharmonic harmonium. Enharmonic organ, positive stop | 51 |
Chapter X. | General theory of the division of the octave | 60 |
Chapter XI. | Musical employment of positive systems having perfect or approximately perfect fifths | 69 |
Appendix. | On the theory of the calculation of intervals | 81 |
ILLUSTRATIONS | ||
Introduction | ||
Figure 1. | Letter by Bosanquet of 23 November 1874 | 34 |
Figure 2. | Diagram of systems of various orders | 47 |
Figure 3. | Diagram of departures in various systems | 49 |
Figure 4. | Bosanquet’s enharmonic harmonium | 57 |
Figure 5. | Letter by Bosanquet of 28 April 1877 | 59 |
Figure 6. | Diagram of second-order keyboard | 61 |
Figure 7. | Portrait of R. H. M. Bosanquet | 77 |
Figure 8. | Arms of the Bosanquet family | 78 |
An elementary treatise | ||
Diagram 1. | Symmetrical arrangement of the notes of Thompson’s enharmonic organ | 22 |
Diagram 2. | Section, elevation, and plan [of the generalized keyboard] | 23 |
Diagram 3. | [Arrangement of notes in meantone tuning] | 34 |
Diagram 4. | [Arrangement of notes in meantone tuning] | 34 |
Diagram 5. | Poole’s keyboard. Colin Brown’s keyboard. Arrangement of key-notes | 46 |
Diagram 6. | Poole’s keyboard. Arrangement of accessories | 47 |
Diagram 7. | Knight’s move arrangement of Colin Brown’s keyboard | 48 |
[Music] example for systems of approximate perfect fifths, with a compass of three octaves | 77 |